Category Archives: Politics

Style Over Substance

Falling womanImageStyle or substance? Audi and BBH believe you can have both in their new TV ad…

Unless you’re a woman! Hahaha, let’s all sneer at the silly vain tart who’s fallen down in the rain! She can’t have style and substance – she chose style, the moron.

iPhotos iEverywhere

iPhone CityiPhone TaxiiPhone ChildI know that this new iPhone advert is supposed to be poignant and heartwarming, but I actually find it a little but creepy and unnerving. I’ve probably watched too many episodes of ‘Black Mirror’, because this advert just reminds me that we’re under constant surveillance.

Everyone wants to take pictures of everything! I don’t like to think about it too much, but it really freaks me out to think that there is a very real possibility that a complete stranger has taken a picture of me either passed out or wearing a badly-chosen outfit, just so they can upload it to Facebook and get a few derisive ‘Likes’ at my expense. It’s even worse when you think about how this kind of attitude can escalate – like in the recent Steubenville rape case. It’s definitely got to the point now where taking photos all the time hasn’t just become mundane and disposable – like the scenes in the iPhone ad. Gawking and voyeurism is so deeply embedded in contemporary society that it’s become quite disconcerting. Especially because, to some extent, we’re all guilty of it.

With the recent introduction of Google Glass, a campaign group called Stop The Cyborgs have called for the gadget to be banned in certain areas – something which I am definitely in favour of. The BBC article covering the story raises a lot of interesting questions. While it’s definitely true that technology and innovative design makes our lives faster and easier, these new inventions are also shaping our attitudes in ways that very few could have predicted.

Brand Addiction

This wry GIF, by New York-based illustrator Beomyoung Sohn, is part of a project called ‘Dummymen‘. The repetitive animation shows our mindless addiction to brands and consumerism as well as, presumably, our loss of individuality as a result. The project, which is still a work in progress, has got a really dark, nihilistic humour to it that reminds me of work by Banksy and Jake and Dinos Chapman. It’s amazing how many brand logos have been squeezed onto all the faces of each block; every time I think I’ve spotted all of them, I’ll see one that I haven’t noticed yet – like the ones for CNN and FedEx, which are partly hidden.

If you like this, then you’ll probably like the hilariously horrible cartoon by Steve Cutts that I posted previously.

Women Of The Future…

Image“Women of the future will make the Moon a cleaner place to live.”

Damn straight we will! Radical sixties feminism, yeah! Future women – fellow pioneers of space travel, improving another planet through green energy and innovation. Exciting!

Hang on a second. I just re-read it. You mean that women are just expected to clean stuff on the Moon, like we’re expected to on Earth? Oh, shit…

Margaret Thatcher, Illustrated

Whatever you think of Margaret Thatcher, you can’t deny that she was an inspirational woman. For me, she inspires a kind of hatred, but I’m not going to go into that because I’ve spent the past few days talking about The Iron Lady and – to be perfectly honest – I’m tired of hearing about her. Having said that, I do like these illustrations of olde ‘Maggie’ by various artist types, so I’m posting them as a cynical attempt to get more hits on my blog. Sorry if you have arrived here expecting political commentary and debate – perhaps you should read this excellent piece by Russell Brand for The Huffington Post instead? However, if you’re into pictures of former British Prime Ministers…then you’re in luck!ImageTory Bachelor Wallpaper, by Matt Mclaren.

Margaret Thatcher Katelyn LizardiMargaret Thatcher, by Katelyn Lizardi.

Margaret Thatcher by Riot InkMargaret Thatcher, by Riot Ink.

Margaret Thatcher VinkoMargaret Thatcher, by Vinko Illustration.

ImageThe Iron Lady, by Matt Blease.

Satirical Portraits By AleXsandro Palombo

Bambi Fendi ChanelAleXsandro Palombo’s blog, Humor Chic, documents the happenings in the fashion world and beyond. Palombo’s take on the fashion news is both bitchy and funny – think Perez Hilton, but without the irritating omnipresence and with added talent and relevance. His shockingly hilarious pop culture illustrations both celebrate and ridicule fashion’s major players; Hedi Slimane is portrayed digging his own grave as he takes over at Saint Laurent, Anna Wintour cosies up to Barack Obama, along with whole host of far more ludicrous scenarios too.Humor Chic Fashion VillainsDonatella Versace, and John Galliano shortly after he drunkenly proclaimed his love for Hitler.Humor Chic CelebritiesCreatives, musicians and celebrities feature heavily, with the occasional politician or member of the monarchy making sporadic appearances as well. It really seems like when it comes to mockery, Palombo is a man after my own heart – he likes to turn his attention to a bit of everything. Below, he has portrayed Kate Middleton as some kind of power-hungry femme fatale who beats her husband and wants to kill the Queen! I think I kind of prefer her to the real Kate Middleton, who is pretty much the definition of passive, well-behaved marriage material. So blaaah.Humor Chic RoyalsHowever, not all of his portraits are derisive or mean – here is quite a sweet drawing of the late Amy Winehouse that he posted the day after her death.Amy Winehouse aleXsandro Palombo

The Circular Economy

ImageWhile this idea is likely to be far more complex in practise, this animated video by Mr. Binns explains the concept in a brilliantly simple and engaging way. Sometimes, I feel pretty bad that I’m part of a huge problem and implicit in killing the earth, but the idea of going to live in a yurt, composting my own shit, and becoming one of those earthy white girls with dreadlocks totally repulses me. I like the thought of a ‘circular economy’, because it shifts the responsibility back to the manufacturer, while trying to cut a better deal for the consumer. It seems like this is an effective approach, because most of us are incapable of actually processing waste into something that’s truly useful. I mean, be honest – you’re never actually going to get round to making that Fairy liquid bottle into the crafty thing you saw on Pinterest. Well, you might…I definitely won’t.
In the UK, it seems that the idea of a more collaborative way of consuming is quite appealing – especially when trends and technology change so rapidly. It also seems that, for a lot of us, it’s unlikely that we will ever own a house. We’re already renting our homes – why not rent the things that are in them, too? 


Of course, this new system must have its flaws too, but its core values seem to be hitting the right notes for a more sustainable future.

Subverted Children’s Toys

ImageDorothy is a Manchester-based design studio that are well-known for their song and film maps, but I found these politically-charged takes on classic children’s toys much more interesting.ImageImageThe ‘Casualties of War’ sets take on tragic variations of the classic toy soldier, showing the grim realities of being in the armed forces – from alcoholism and psychosis through to amputation and suicide.ImageThese Dorothy ’No Globes’ were commissioned for Ctrl.Alt.Shift, in anticipation of the United Nations Climate Change Conference in 2009. Designed to highlight the threat of coal power to the environment, black particles of soot float above this bleak diorama, replacing the traditional snow…Image

“Touch Both Sides For Added Enjoyment”

ImageUrgh. Horrible advert for the PS Vita by TBWA France.

I’m not normally that fazed by the petty sexism that permeates the media and advertising. ‘Sex sells’, I get it…whatever. And while obviously women’s rights are still a more contentious issue today than men’s rights, I do appreciate that in the Western world men come under a fair amount of sneering, scrutiny and gawking from women, too.

Still, this advert by TBWA France really got under my skin. It’s not just the sentiment, it’s that it’s a pretty shitty piece of creative work anyway. “Touch both sides for added enjoyment”, it enthuses, underneath a picture of a woman with four huge tits, a tiny waist and no face. NICE! Great way of saying that women and their breasts are just there just to be touched for the enjoyment of others. Maybe Sony’s console is, but was there really any need to draw a parallel between a mutant woman’s body and an inanimate, electronic play thing?
“Ahh,” you might say, “but the thing is, they are trying to appeal to a core demographic here!” And what demographic is that, then? Predominantly teenage boys and young men – exactly the kind of ‘demographic’ who might benefit from being taught that women aren’t just there to be leered at and groped.
More astonishing still, is that the art director on this ad was actually a woman. This feels like a really cynical and patronising attempt to appeal to men. If women are going to perpetuate these types of images in the media and pander to what they – perhaps misguidedly – believe that men want, then how will these sinister messages come to an end? For men to treat women with respect, then surely we need to give them credit for being intelligent as well.

Shame on you, TBWA France. I thought that French men were progressive types who loved romance, and French women were feisty and cool? You Frenchies should know better! You’ve totally ruined Amélie for me, and Simone de Beauvoir must be turning in her grave…

If In Doubt, Sell Out

“If you do an advert then you are off the artistic register forever,” claimed American comedian Bill Hicks. Sadly, Bill Hicks never lived to see Johnny Rotten touting Country Life Butter, nor was he able to witness Iggy Pop promoting Swift Cover Insurance, but it goes without saying that I would have loved to have seen his reaction to either of those recent adverts. No matter how funny you might find it that two of punk’s hugest stars have appeared in adverts (side note: Marky Ramone also has his own range of pasta sauces), you’ve got to admit that corporate cocksucking doesn’t have quite the same stigma attached to it that it used to. Of course, there are still people who get upset about oil companies pumping money into art foundations, but in 2012, if someone calls you a “sell out”, you can probably keep your credibility intact by responding with, “Fuck off, you smug lefty wanker!”

There are a plethora of reasons why creatives and people within the arts are now willing to cosy up to big name brands and accept corporate handouts. The most glaringly obvious reason is actually because creative people like money. I know, I know – you thought we were all struggling, rolly-smoking thrifties, who sleep in a perpetual draft during the winter months, right? Well, yes, maybe some of us are, but it’s not usually a lifestyle we have chosen for ourselves. Mostly we’re up to our eyeballs in debt, and work two waitressing jobs to cover the rent. If FoxConn offered me a crisp fifty to write a glowing report of their labour practices, I’d probably bite their hand off. But enough about my own lack of integrity; the point is that there are individuals out there who are too desperate to even factor in pride, and would happily write a jingle for Nando’s if it meant that they could afford to eat real chicken again, as opposed to Ridley Road Rat.

Another reason for this shift in attitude is because corporate cash makes up for the lack of government funding. Those who are cynical about this kind of arrangement might say, “Ah, but if those corporations didn’t dodge their taxes, we’d have more government funding!” Is that really true, though? We’ve all seen those MP expenses forms, and I think we know full well that when the government have spare money to spend, they much prefer to spend it on bath plugs, biros, moats and parcel string. And crack…probably.

All joking aside though, in 2011 the Arts Council had its budget cut by nearly a third, and as a result this meant that some 206 organisations lost their funding altogether. Naturally, in order for these organisations to survive, they have had to look for other sources of funding. Sometimes this comes from generous individuals, but usually the really big cash injections are administered by corporations and brands, eager to spend some of their marketing budget on reputation management. Is this a bad thing? Meh, not necessarily. Usually, brands and companies select organisations to support based on their existing image anyway, so there’s no need for curatorial intervention – I doubt we’ll ever see a punk band playing a pop-up show in Marks & Spencer’s, but I can understand why people got angry when the Olympics were sponsored by McDonalds and Coca-Cola.

Finally, sponsored creativity has become more acceptable because brands have got a lot more sophisticated when it comes to courting the arts. Unlike in Bill Hicks’ day, it’s fairly unlikely that a musician will be asked outright to be in an advertisement. It’s more likely that they’ll be playing the Ray-Bans stage at a festival, or be invited to a Sailor Jerry’s event, or cover their favourite song for a Doctor Marten’s session.

Brands have become so slick at pulling these stunts, that no one even bats an eyelid when an arte povera installation is being sponsored by Bloomberg!

This article originally appeared in the first print edition of WE ARE Collision, which you can read online here.