Having recently finished a role working in property marketing, I’ve got a newly-ignited curiosity about the city I live in, and cities in general. I’ve seen some amazing cityscapes on my travels around the, umm…Internet, so here they are! Photographer Ben Thomas uses tilt shift in his photographs to make the urban sprawl of London, New York and San Francisco look like mere children’s toys.
Patrick Vale is an architectural illustrator whose washes of colour are beautifully defined by thick black outlines. I love his combination of stylised panache and intricate detail.
Abigail Daker keeps thing simple with her monochrome line drawings of London, which are amazingly precise. She also specialises in hand-drawn maps, which she has produced for the likes of Winkworth estate agents and Viking River Cruises.
Laura Oldfield Ford‘s neon-smeared sketches aren’t so all-embracing of the city’s built environment. Her subject matter is mainly the urban squalor of council estates, or the dystopian rundown areas under threat from regeneration and new developments – which she has branded ‘yuppiedrones’.
In contrast to Oldfield Ford’s stance, Mark Lascelles Thornton‘s ‘Happiness Machines’ series focuses on the hyper futuristic London landscape that dominates The City, with more and more Manhattan-like corporate skyscrapers springing up in the financial district each year. I really like the flashes of colour in his tight pen drawings, and think that skyscrapers possess a kind of terrifying beauty.
Posted in Art, Culture, Design, Lifestyle, Photography, Writing
Tagged 2013, Abigail Daker, architectural illustration, architecture, art, arts, Ben Thomas, Ben Thomas photographer, blogging, building, cityscapes, council estate, developments, gentrification, illustration, ink, inner city, Laura Oldfield Ford, Leonie Cumiskey, line drawing, London, Manhattan, Mark Lascelles Thornton, marketing, miniature cities, New York, Patrick Vale, photography, property, property marketing, San Francisco, skyscrapers, tilt shift, tilt shift photography, urban sprawl, work, writing, yuppiedrones
The Black Angels have a new album out next week, and the artwork that goes with it is all so fitting and perfect. The psychedelic line drawings evoke Wes Wilson’s classic ’60s gig posters, and the brown parcel paper texture really emphasises that beautiful hand-drawn aesthetic.I’ve tried to find out who the illustrator is, but I’ve not had any luck. If anyone knows who the work is by, please feel free to comment and let me know. Thanks!
Edit: The work is by the very talented Matt Cliff, who unfortunately doesn’t have a website. Thanks for getting in touch, Matt!
Posted in Advertising, Art, Design, Music, PR, Writing
Tagged 60s nostalgia, 60s poster, album, album art, album promotion, arts, band tour, bands, blogging, cover art, gig poster, gig posters, gig promotion, hand-drawn, illustration, images, Indigo Meadow, Leonie Cumiskey, line drawing, media, music, music promotion, new album, new music, paper texture, psychedelia, psychedelic, psychedelic art, psychedelic rock, retro, The Black Angels, The Black Angels tour, tour poster, upcoming releases, USA, Wes Wilson, writing
Posted in Art, Culture, Photography, Technology, Writing
Tagged abstract, additive colour separation, analogue format camera, animation, art, arts, blogging, cool, creative, creativity, digital, film, Flickr, fun, Jessica Eaton, Kim Pimmel, LEDs, Leonie Cumiskey, Light Drive, light studies, long exposure light photographs, media, Montreal, moving image, multiple exposures, neon lights, photographer, photography, Photoshop, psychedelic, stop motion sequence, UI designer, video, Vimeo, writer, writing
This 1958 avant-garde film, ‘Broadway by Light’, was the first film made by acclaimed American photographer and filmmaker, William Klein. The short feature shows the dizzying lights and logos that dominate Times Square and illuminate one of New York’s most iconic locations. ‘Broadway by Light’ was declared by Orson Welles to be, “The first film I’ve seen in which colour was absolutely necessary.”
Posted in Art, Culture, Film, Photography
Tagged adverts, art, arts, avant-garde, billboards, Broadway, Broadway by Light, cinematography, experimental film, fifties, film, film director, lights, New York, Orson Welles, photographer, Times Square, video, William Klein, Youtube