This image might look like it’s a CGI mockup or a scene from Bladerunner, but it’s actually a video still of projection mapping in Rotterdam. Below is a photograph of the OMA-designed skyscraper that the visuals were projected onto.De Rotterdam building, as seen from Erasmus Bridge. Photograph by Raban Haaijk.
Project A15 – the idea that this event was promoting – is an initiative that seeks to make the busy highway running from Rotterdam to Nijmegen into the most sustainable highway in the world. The projection itself can be seen in the video below, and bear in mind that the height of the De Rotterdam building is 150 metres. That’s taller than London’s Centrepoint, which stands at 117 metres!
Posted in Writing, Photography, Technology, PR, Culture, Film
Tagged photography, animation, video, advertising, promotion, digital, creative, technology, event, writing, OMA, film, architecture, cool, Leonie Cumiskey, blog, infrastructure, Youtube, 2013, Rotterdam, idea, blogging, blogger, projection, projection mapping, communications, buildings, sustainable future, skyscrapers, built environment, sustainable cities, city, De Rotterdam building, Erasmus Bridge, The Netherlands, roads, highway, sustainability, stunt, A15 Project, OMA architects, Centrepoint, transport links, video mapping, biggest projection in Europe, De Rotterdam
12 Shoes For 12 Lovers is a project by sculptor Sebastian Errazuriz, where the artist has drawn inspiration from previous relationships and trysts, creating shoes in their honour. My favourite pairs from the set are the red “Heartbreaker” shoes and the black “Boss” shoes (pictured above). I’m not sure how practical either pair would be – that cupid’s arrow could get caught on things, and the “Boss” heels are far too pointy for a novice like me to walk in – but I really like both of these playful designs. I’m into accessories and shoes that have a bit of tough charm to them. I get a lot of compliments on a Mafia necklace I have, which has teeth on it, and I have coveted these Terry De Havilland boots from the moment I first saw them…Seriously, they are fucking magnificent.
Posted in Art, Design, Fashion, Writing
Tagged 12 Shoes For 12 Lovers, 2013, accessories, art, art shoes, blogging, cool, creative, creativity, dagger boots, design, dominatrix shoes, fashion, fetish, fun, heartbreaker shoes, ideas, knuckleduster shoes, Leonie Cumiskey, Mafia jewellery, power dressing, punk, relationships, romance, sculptor, Sebastian Errazuriz, sex, sexy, shoe designer, shoes, teeth necklace, Terry De Havilland, tooth necklace, tough accessories, weaponry, writer, writing
The guys behind Pop-Up City are bringing out a book! Well, they are trying to. They need a little bit more financial backing first, so I’m trying to do my bit to help them get it. Pop-Up City kindly gave me a book back in 2012…unfortunately it wasn’t my very own book – it was a copy of Indie Brands by Anneloes van Gaalen – but it still made me happy because I had won their competition, and got something lovely for free. So yeah, spread the love and all that, you get a discount if you pre-order!
Posted in Culture, Design, Photography, Technology, Writing
Tagged 2013, Amsterdam, Anneloes van Gaalen, architecture, blog, blogs, book, brand, branding, built environment, cities, collaboration, cool, creative, creativity, design, digital, fundraising, geography, graphic design, green futures, ideas, Indie Brands, innovation, Kickstarter, Leonie Cumiskey, Pop Up City, publishing, technology, urban studies, urbanism, website
Posted in Writing, Music, Brands, Photography, Advertising, Culture, Film
Tagged 2013, advertising, Alexander Desplat, amazing, Americana, ATL, automotive, beautiful adverts, blogging, brand, brilliant, car, car advert, cheerleaders, Chrysler, cinematography, classical music, composer, cool, creative, creativity, diner, electronics, entertainment, film, film tropes, Jaron Albertin, Leonie Cumiskey, media, music, neon lights, new music, nostalgia, opinion, piano, Smuggler Films, Sony, Sony TV, sparks, strings, TV, TV advert, twentieth century America, USA, video, video director, vintage car, Viper, writing
Posted in Advertising, Brands, Design, Lifestyle, Writing
Tagged 2013, Anagrama, architecture, blogging, brand development, brand development agency, branding, branding agency, brochure design, construction marketing, cool, corporate stationery design, creative, creativity, design, design agency, graphic design, Leonie Cumiskey, luxury, luxury apartments, marketing collateral, Mexico, One Development Group, Pelli Clarke Pelli, promotional items, property developers, property marketing, real estate branding, skyscraper, Sofia San Pedro, Sofia skyscraper, stationery
David Bowie has been the star of a number of beautiful videos in 2013 – notably his own, which have been directed by the sickeningly talented Floria Sigismondi. In the Louis Vuitton campaign film ‘L’Invitation au Voyage’, directed by Romain Gavras, Bowie performs a unique version of ‘I’d Rather Be High’ for Arizona Muse at a lavish Venetian party…or does he? You can watch the full director’s cut below.
This luxurious, high end advert is in complete contrast to Romain Gavras’ usual body of work – which includes gritty, controversial videos for the likes of M.I.A and Adidas. I find it quite surprising that Vuitton enlisted him to direct this video, but I’m glad they did.
Posted in Advertising, Brands, Culture, Fashion, Film, Music, Writing
Tagged 2013, advert, advertising, Arizona Muse, baroque, blogging, brand, cool, creative, creativity, David Bowie, David Bowie advert, director, entertainment, fashion, film, high end, I'd Rather Be High, L'Invitation au Voyage, Leonie Cumiskey, Louis Vuitton, Louis Vuitton film, Louis Vuitton Venice, luxury, model, Romain Gavras, Venetian party, Venice, video, writing, Youtube
Posted in Advertising, Art, Beauty, Brands, Design, Fashion, PR
Tagged 2013, advertising, art, art direction, beauty brand, blogging, brand, branding, Charlotte Tilbury makeup, Charlotte Tilbury pop up, Christian Louboutin, cool, creative, creativity, cute, design, diesel, Diesel Loverdose, digital, display design, fashion, Gemma Ruse, graphic design, Leonie Cumiskey, London, marketing, Paris, promotion, retail, retail design, retail window, Selfridges, Selfridges makeup, Selfridges window display, set design, shoe brand, shoes, StudioXAG, Topman, Topshop, visual merchandising, window design, window display, writing, Xavier Sheriff
© KOKO London / Charlotte Davidson
Ahh, Club NME at Koko. In its heyday, this weekly guitar-fuelled orgy was a place where trilby-wearers could find a safe haven of acceptance, and spoilt girls who dressed exclusively in the Kate Moss for Topshop range could kid themselves that they were going to find their future rock star husband here. Now, Club NME is a bit stale – indie music just ain’t what it used to be, the playlist doesn’t sound too different from the Geordie Shore soundtrack (okay, that’s unfair, maybe it’s more Made In Chelsea) and the drinks are still horrendously expensive.
Not that tonight’s headliners, Storms, really give a fuck about any of that. They’re not here to relive the, err, ‘glory days’ of The Libertines, nor are they trying to peddle some chart-humping shite that sounds like a collection of rejected Owl City songs. Nope, Storms have drawn their musical influences from arguably the best genres of the ‘90s – grunge, shoegaze and Britpop. As the sound of Kanye West fades away and the band take to the stage, a wave of gratitude washes over me. Opening song ‘Special’ fills the auditorium with heartfelt lyrics, even if these sombre tales of society’s lower echelons are masked by an anthemic riff. The crowd doesn’t seem to mind much though, and they sway along happily in a Jagermeister-induced stupor. “Nobody’s special!” they wail in unison, blissfully unaware of the sad truth they seem to be confirming.
The next track, ‘Words’, with its slow, layered guitars and crunchy reverb, is a definite nod to bands like My Bloody Valentine and Spacemen 3. Launching straight into new song ‘Swell’, lead singer George Runciman showcases stronger vocals that range from high-pitched yelping to Cobain-esque roars, supported by a thumping drum beat and thunderous, guitar-backed choruses. By the time the song is over the band appear to have created a bizarre kind of festival atmosphere, as a noticeable amount of girls have actually clambered onto their boyfriends’ shoulders, hands in the air like they’re trying to clutch on to the last of the summer.
The penultimate song of the evening, ‘Plague Machine’, is easily my favourite. With just the right mix of yearning, lust and anger, it’s got a frustrating familiarity to it; the classic influences are there, but you can’t quite pinpoint what they are. Essentially though, it’s a blend that is all Storms’ own.
It’s clear that Storms already have some loyal fans who showed up especially to see them, but you can’t help but wonder if the depth of Storms’ lyrics and their range of influences might be a bit wasted on the people who also enjoy the likes of Bastille and Everything Everything. Perhaps the idiots are still winning, but the enthusiasm for tonight’s performance shows that this lot at Club NME aren’t lost causes just yet.
Posted in Comedy, Events, Lifestyle, Music, Writing
Tagged 2013, Ben Morgan, blogging, britpop, Camden, Club NME, cool, entertainment, Felix Howes, George Runciman, gig review, grunge, guitar music, indie, indie band, Kanye West, Kate Moss, Koko, Leonie Cumiskey, live music, London, Made In Chelsea soundtrack, new music, nineties music, nostalgia, opinion, photography, review, shoegaze, Storms, students, Topshop, writer, writing, Yacob Andersen
Following the hugely successful ABSOLUT Unique campaign, ABSOLUT vodka have once again rethought their bottle design so that 4 million limited edition bottles can be produced. While their previous production method seemed to embrace a chaotic ‘more is more’ ethos to bottle design, the new ABSOLUT bottles have a single streak of cobalt running through the glass, which is uncontrolled and therefore different each time. The manufacturing process is detailed in the ‘behind the scenes’ video below.
These new bottles, with clear glass and an abstract, minimalistic design also seem to reflect the recent rebrand of ABSOLUT’s range of flavoured vodkas, which was done by The Brand Union. Take a look at the transformation below, if you haven’t already seen the new designs.
Prior to the rebrand, the bottles were made of frosted glass with subtle colour gradients or accents to represent each flavour.
The new designs boast a striking motif on a clear glass bottle…It looks as though the design process for ABSOLUT Raspberri was a lot of fun!
Posted in Art, Brands, Design, PR, Technology, Writing
Tagged 2013, ABSOLUT, Absolut bottle, Absolut Originality, Absolut Unique, Absolut vodka, Add Your Drop, alcohol promotion, bottle design, brand, brand evolution, branding, branding agency, cobalt glass, cool, creative, creative agency, creativity, design, fun, graphic design, Leonie Cumiskey, limited edition, limited edition glass bottle, packaging design, Pernot Ricard, product design, psychedelic, The Brand Union, WPP, writer, writing, Youtube