Posted in Art, Culture, Photography, Technology, Writing
Tagged abstract, additive colour separation, analogue format camera, animation, art, arts, blogging, cool, creative, creativity, digital, film, Flickr, fun, Jessica Eaton, Kim Pimmel, LEDs, Leonie Cumiskey, Light Drive, light studies, long exposure light photographs, media, Montreal, moving image, multiple exposures, neon lights, photographer, photography, Photoshop, psychedelic, stop motion sequence, UI designer, video, Vimeo, writer, writing
Posted in Advertising, Art, Beauty, Brands, Culture, Design, Fashion, Film, Photography, PR, Technology, Writing
Tagged advertising, Agent Provocateur, archive, beauty, celebrities, clothing, compendium, couture, creative advertising, designer, digital, director, escapism, fashion, fashion campaign, fashion shoot, Leonie Cumiskey, lingerie, Louis Vuitton, luxury, magazine, makeup, media, moving image, online, photography, resources, style, styling, video, web design, website, writer, writing
Woah. So following the smokingly chic and understated video for ‘1991‘, Azealia Banks’ new video for ‘Atlantis’ is the embodiment of ‘fashionably ugly‘ graphic design.The aesthetic is all so self-consciously low-tech and nineties, that I almost expected for some Clipart to make an appearance.
Seriously, there’s even a bit where Brush Script lettering is used to spell out some lyrics. I’m not sure I’m into it – I’m too much of a font snob!
It could have been much worse, though. It could have been Comic Sans. I don’t think we’re at the stage where it’s considered ‘funny’ or ‘ironic’ to use Comic Sans, but I’m telling you…that day will inevitably come, and no doubt the Four Horsemen of the Apocalypse will show up soon after.
Posted in Design, Fashion, Music, Photography, Writing
Tagged 2012, aesthetic, Azealia Banks, Brush Script, colour, computers, Creative Review, female singer, font, glitch art, graphic design, hip hop, holographic, lo-fi, Microsoft screensaver, moving image, music video, new music, nineties, Pretty Ugly, psychedelia, rap, rave culture, references, tech, trends, typography, visuals, Youtube
‘Gloam’ is a beautiful new short film made by We Are The Forest (comprised of David Elwell & Gareth Hughes). It portrays the journey of a solitary creature making his way through the forest, and is both mysterious and melancholy. Even though the protagonist strikes me as somewhat creepy and bizarre, its character seems gentle and intriguing enough that you have a kind of empathy for him – it’s never revealed what’s in the forest, but I found myself hoping that this strange beast wouldn’t come to any harm. The moving soundtrack seems to evoke a kind of loneliness, and it’s like the creature is searching for something meaningful.
Posted in Art, Design, Film, Writing
Tagged animation, beast, beautiful, bizarre, character, creature, dark, David Elwell, director, film, forest, Gareth Hughes, Gloam, Ian Wharton, light, lonely, melancholy, moving image, mysterious, myths, production, SAD, short film, video, Vimeo, We Are The Forest
‘The Alchemy of Light’ is a fantastical one-man spectacular by A Dandypunk. This Cirque du Soleil performer also happens to be a dab hand at projection mapping, illustration, animation and a whole other host of talents! The coordination in this video is so impressive, and must have taken so much planning and practice. I bet it felt great to finally nail all the moves in line with the projections.
Posted in Art, Culture, Design, Music, Technology, Writing
Tagged A Dandypunk, amazing, artist, circus, Cirque du Soleil, cool, dancer, innovative, Leonie Cumiskey, light, light show, live performance, moving image, one man show, performance, projection, projection mapping, show, technology, The Alchemy of Light, video, Vimeo, writer, writing
The video for ‘Aldgate Patterns’ by Little People is both beautiful and strange. The visuals fit the music so well, and the whole thing is enchanting. I really like the mixture of the rural landscape with the futuristic digital projections – you’d expect it to have a weird discordance, but somehow it just works.
Directed by Adam Amaral, the video was made in collaboration with production studio WORK and animator Chris Martz. Amazingly, the post-production work and special effects used were minimal – most of what you see in the video has been created through projection mapping.
Posted in Art, Design, Music, Technology, Writing
Tagged 2012, Adam Amaral, Aldgate Patterns, amazing, ambient, animation, animator, beautiful, Chris Martz, colourful, critic, digital, digital art, director, electronic music, enchanting, haunting, Leonie Cumiskey, Little People, magical, moving image, music, music video, new music, opinion, production, projection, projection mapping, strange, video, Vimeo, We Work, work, WORK production studio, writer, writing
This single is beautifully melancholic, and Melody Prochet’s sweet voice perfectly complements the hazy music. As with most feminine shoegaze songs, the video is suitably ethereal – a strange and gorgeous mix of colour and underwater movement that becomes almost abstract.
I can’t wait to listen to the eponymous album, which is out now on Fat Possum Records.
Posted in Art, Design, Music, Photography, Writing
Tagged 2012, abstract, album, aqueous, dream pop, dreamy, Fat Possum Records, female vocalist, French, hazy, I'll Follow You, indie, Leonie Cumiskey, LP, melancholy, Melody Prochet, Melody's Echo Chamber, motion, movement, moving image, new music, opinion, pop, psychedelic, record label, shoegaze, single, video, writing
Hazy dreampop from Splashh, accompanied by appropriately lo-fi visuals. Expect big things from them, as they have already been snapped up by Luv Luv Luv Records.
Posted in Music
Tagged 90s, band, grunge, indie, Luv Luv Luv Records, moving image, music, new music, nineties, nineties revival, nostalgia, psychedelic, rock 'n' roll, shoegaze, single, SPLASHH, summer, surreal, video