Posted in Advertising, Brands, Culture, Film, Music, Photography, Writing
Tagged 2013, advertising, Alexander Desplat, amazing, Americana, ATL, automotive, beautiful adverts, blogging, brand, brilliant, car, car advert, cheerleaders, Chrysler, cinematography, classical music, composer, cool, creative, creativity, diner, electronics, entertainment, film, film tropes, Jaron Albertin, Leonie Cumiskey, media, music, neon lights, new music, nostalgia, opinion, piano, Smuggler Films, Sony, Sony TV, sparks, strings, TV, TV advert, twentieth century America, USA, video, video director, vintage car, Viper, writing
This grizzly bear is doing a pretty good job of aping my reaction to Christmas.
Everyone is going mental for the ‘touching’ John Lewis advert again, which is a blatant Animals of Farthing Hood rip off soundtracked by something no one needed to hear: Lily Allen covering Keane. It’s good, but obviously it doesn’t even come close to melting my ice cold heart or eliciting any kind of Christmas cheer from me. However, this touching tale of cartoon animals does carry an important lesson: if your BFF happens to be an apex predator, you might want to round up a few unwitting
friends morsels in the hope that your carnivorous frienemy eats them first. Look how happy the bear is when he sees the meat feast he has woken up to…Anyway, enough of my cynicism, here’s the actual advert, which was made by Adam & Eve/DDB and produced by Blinkink and Hornet. The animation really is lovely – and is the result of a lot of hard work – but I’d recommend muting it and playing something more appealing over the top.
Posted in Advertising, Brands, Comedy, Culture, Design, Events, Lifestyle, Writing
Tagged 2013, Adam & Eve, advertising, advertising agency, animation, ATL, bah humbug, bear, Blink Ink, Blinkink, blogging, brand, cartoon, childhood, children, Christmas, Christmas advert, Christmas schmaltz, comedy, cute, cynical, DDB, entertainment, forest, funny, hare, Hornet, humour, John Lewis, John Lewis tv ad, Keane, Leonie Cumiskey, Lily Allen, media, nostalgia, opinion, production, The Animals of Farthing Wood, TV advert, video, writer, writing, Youtube
© KOKO London / Charlotte Davidson
Ahh, Club NME at Koko. In its heyday, this weekly guitar-fuelled orgy was a place where trilby-wearers could find a safe haven of acceptance, and spoilt girls who dressed exclusively in the Kate Moss for Topshop range could kid themselves that they were going to find their future rock star husband here. Now, Club NME is a bit stale – indie music just ain’t what it used to be, the playlist doesn’t sound too different from the Geordie Shore soundtrack (okay, that’s unfair, maybe it’s more Made In Chelsea) and the drinks are still horrendously expensive.
Not that tonight’s headliners, Storms, really give a fuck about any of that. They’re not here to relive the, err, ‘glory days’ of The Libertines, nor are they trying to peddle some chart-humping shite that sounds like a collection of rejected Owl City songs. Nope, Storms have drawn their musical influences from arguably the best genres of the ‘90s – grunge, shoegaze and Britpop. As the sound of Kanye West fades away and the band take to the stage, a wave of gratitude washes over me. Opening song ‘Special’ fills the auditorium with heartfelt lyrics, even if these sombre tales of society’s lower echelons are masked by an anthemic riff. The crowd doesn’t seem to mind much though, and they sway along happily in a Jagermeister-induced stupor. “Nobody’s special!” they wail in unison, blissfully unaware of the sad truth they seem to be confirming.
The next track, ‘Words’, with its slow, layered guitars and crunchy reverb, is a definite nod to bands like My Bloody Valentine and Spacemen 3. Launching straight into new song ‘Swell’, lead singer George Runciman showcases stronger vocals that range from high-pitched yelping to Cobain-esque roars, supported by a thumping drum beat and thunderous, guitar-backed choruses. By the time the song is over the band appear to have created a bizarre kind of festival atmosphere, as a noticeable amount of girls have actually clambered onto their boyfriends’ shoulders, hands in the air like they’re trying to clutch on to the last of the summer.
The penultimate song of the evening, ‘Plague Machine’, is easily my favourite. With just the right mix of yearning, lust and anger, it’s got a frustrating familiarity to it; the classic influences are there, but you can’t quite pinpoint what they are. Essentially though, it’s a blend that is all Storms’ own.
It’s clear that Storms already have some loyal fans who showed up especially to see them, but you can’t help but wonder if the depth of Storms’ lyrics and their range of influences might be a bit wasted on the people who also enjoy the likes of Bastille and Everything Everything. Perhaps the idiots are still winning, but the enthusiasm for tonight’s performance shows that this lot at Club NME aren’t lost causes just yet.
Posted in Comedy, Events, Lifestyle, Music, Writing
Tagged 2013, Ben Morgan, blogging, britpop, Camden, Club NME, cool, entertainment, Felix Howes, George Runciman, gig review, grunge, guitar music, indie, indie band, Kanye West, Kate Moss, Koko, Leonie Cumiskey, live music, London, Made In Chelsea soundtrack, new music, nineties music, nostalgia, opinion, photography, review, shoegaze, Storms, students, Topshop, writer, writing, Yacob Andersen
Posted in Art, Design, Film, Music, Writing
Tagged 1960s graphics, 2004, 2013, 20th century design, art, blogging, collage, constructivist, cool, creative, creativity, design, diagram, entertainment, Franz Ferdinand, fun, graphic design, illustration, indie, inspiration, internet, Jonas Odell, Kenneth Grange, Leonie Cumiskey, media, mid-century modern, music, music video, new music, nostalgia, Pelican books, publishing, retro, Right Action, Saul Bass, single, surreal, textbook diagrams, video, video director, vintage books, writer, writing, Youtube
Today I headed up to Walthamstow to visit Chris Bracey’s huge studio on Vallentin Road – God’s Own Junkyard. Peeking through the locked iron gates, it really does look just like a junkyard, but once inside it’s like an Aladdin’s cave of neon treasures.I don’t know whether it’s because of the junkyard’s location, or if it’s because not that many people know about it, but when my friend and I showed up at around 2pm on a Saturday – a peak time for visitors in most places – we were lucky enough to be the only people there.The man who works there, John, is really friendly and has an encyclopaedic knowledge of pretty much everything stored in the studio. He was happy to show us round, pointing out props and signs that had been in various films, like Tombraider, Eyes Wide Shut, and the newest installment of the Iron Man films – a huge ‘STARK’ sign. I really can’t recommend this place enough; I’ve never been anywhere else like it!
Posted in Art, Culture, Design, Film, Photography, Writing
Tagged 2013, art, artist, artist studio, blogging, Chris Bracey, contemporary art, cool, cool locations, creative, creativity, days out, east London, fashion shoot, film, film industry, film props, friendly London, fun, God's Own Junkyard, junkyard, Leonie Cumiskey, light art, lightbulbs, London, neon art, neon lights, nostalgia, old signs, photography, places to visit, props, set design, signage, slogans, something different, surreal, Walthamstow, writer, writing
Wacky Races IRL! Watch this cool advert for the Peugeot 208, which shows the car competing in a live action version of the Hanna-Barbera ’60s classic, Wacky Races. Made by Y&R São Paulo and Partizan, the fun 90 second spot showcases all of the Peugeot 208′s features in the context of a slapstick comedy race against the show’s classic characters.
Aww, poor Muttley!
Posted in Advertising, Brands, Comedy, Culture, Design, Film, Technology, Writing
Tagged 2013, advert, advertising, automobile, automotive, blogging, brand, Brazil, car, car advert, cars, cartoons, cartoons in real life, cool, creativity, Dick Dastardly, fun, Hanna-Barbera, Leonie Cumiskey, live action remake, media, Muttley, nostalgia, Partizan, Penelope Pitstop, Peter Perfect, peugeot 208, production, slapstick comedy, South America, The Ant Hill Mob, The Gruesome Twosome, The Red Max, TV ad, video, Vimeo, Wacky Races, writing, Y&R
HAERTS are female-fronted band of four guys and one girl, who hail from Brooklyn, New York. Their first single is a beautifully tender piece of lo-fi pop, set to a montage of home video-style clips. I’ve looked for other stuff by them, but this song is the only one I can find. I’m guessing that as it’s on Vevo, they are already on the brink of mainstream success. Judging by ‘Wings’, they sound pretty great and I hope the rest of their songs live up to expectations. Lead singer Nini Fabi’s vocals are sweet, but powerful – like a mixture of Gwen Stefani and Stevie Nicks.
This song is sort of what I was hoping for when I first listened to HAIM. Needless to say, I was pretty disappointed.
Posted in Culture, Film, Music, Writing
Tagged Americana, Ben Gebert, Brooklyn band, childhood, cinematography, creativity, Derek McWilliams, entertainment, female vocalist, Garrett Ienner, gritty, Gwen Stefani, HAERTS, Haerts band, HAIM, harmonies, home movies, home video, indie, Jonathan Schmidt., Leonie Cumiskey, lo-fi, love song, memories, music, music video, New York, Nini Fabi, nostalgia, opinion, pop, romance, small town America, Stevie Nicks, summer sound, sunshine, sweet, tender, USA, video, video montage, yearning, Youtube
This video for Still Corners’ new single ‘Berlin Lovers’ is lovely. It was directed by Christian Sorensen Hansen and reminds me a bit of Christiane F, but without the heroin. Imagine that Christiane F. and Detlev are a lot more innocent – just two regular teens who don’t inject smack into their veins, or give strangers handjobs for drug money – and this is pretty much it. Considering the song is called ‘Berlin Lovers’, perhaps the similarities aren’t even a coincidence. Either way, I like it.
Posted in Film, Music, Photography, Writing
Tagged arcade, band, Berlin, Berlin Lovers, burgers, Christian Sorensen Hansen, Christiane F., cute, Detlev, director, disco ball, electronic, female singer, film, heroin, indie, Leonie Cumiskey, lights, love, music video, neon, nostalgia, pastel colours, rollerdisco, rollerskating, romance, single, Still Corners, Sub Pop Records, teenagers, twee, video, Vimeo, Youtube
Posted in Art, Culture, Design, Politics, Writing
Tagged 2009, 2013, air pollution, casualties of war, children's toys, Christian Aid, climate, climate change, Climate Change Conference, coal power, conversation piece, Ctrl.Alt.Shift, design studio, diorama, Dorothy, Dorothy Film Map, Dorothy online shop, Dorothy Song Map, environment, globe, Leonie Cumiskey, limited edition, Manchester, miniature, model, nostalgia, politics, pollution, power station, prints, snow globe, toy soldier, toys, UK, United Nations, war, war veterans, writing